Anthony Minghella

Directors such as Anthony Minghella The English Patient and a score of Canadian producers and directors have taught at the institute.

Archive 2008-09-01 2008

Of course, the Met is itself currently in the process of weeding out and replacing its Zeffirelli productions, and in fact the Lamos pales next to the Met’s own recent new production of Butterfly by Anthony Minghella, which is like minimalism on steroids.

City Opera Steels Itself 2009

Of course, the Met is itself currently in the process of weeding out and replacing its Zeffirelli productions, and in fact the Lamos pales next to the Met’s own recent new production of Butterfly by Anthony Minghella, which is like minimalism on steroids.

City Opera Steels Itself 2009

It is intended to mark the 25th anniversary of the first ever episode of Morse, The Dead of Jericho, scripted by a certain Anthony Minghella.

Endeavour: an inspector recalled 2012

LONDON—With varying degrees of success, the English National Opera has been engaging film directors, starting with the late Anthony Minghella, through Penny Woolcock, Des McAnuff and Mike Figgis.

Gilliam's Faustian Pact Paul Levy 2011

A glutinous short-film collection set in the Big Apple that's distinguished only by an Anthony Minghella contribution

Paddy Considine: 'I'm trying to make sense of a lot of things' 2011

Tom yearns to be Dickie Greenleaf, and he will be before the end of this lush, if overlong thriller, which the late Anthony Minghella directed from his adaptation of Patricia Highsmith's novel.

'Tattoo': Raw, Rousing and Rather Redundant Joe Morgenstern 2011

She adds that she looks forward to reprising Madama Butterfly in the acclaimed Anthony Minghella production at the Met in February 2012.

Susan Dormady Eisenberg: Soprano Patricia Racette Talks About Tosca as Washington National Opera Launches its Fall Season Susan Dormady Eisenberg 2011

Anthony Minghella, who made The English Patient, was a script editor for the show in the 1980s.

CBBC to air gritty new drama aimed at pre-teenage audience 2011

It's the same spare, modern, Japanese-inspired idiom used by Anthony Minghella in the English National Opera "Butterfly" that was most recently seen at the Metropolitan Opera, and it's a fresh and effective way to get this story across.

Anne Midgette reviews Washington National Opera's 'Madama Butterfly' 2011